All Popkulturist film and television coverage, newest first. Some pieces wait until the credits have stopped rolling for good; others arrive before I've seen the thing at all, when the conversation around it is what's worth writing about. Criticism rather than coverage.

Ledger

The Amazing Digital Circus Beat Hollywood in Cinemas, Then Posted the Finale for Free

A free Australian YouTube cartoon topped cinema charts across Europe, then posted its finale online for nothing. How a Sydney studio beat the studios at their own game.

Key art from The Amazing Digital Circus: Pomni and the cast inside the virtual circus
Handover

Pixar Built the Screen, Then Cast It as the Villain

The villain of 'Toy Story 5' is a tablet. The studio warning your kids off screens is the one that taught a generation to sit still and watch.

The 'Toy Story 5' payoff poster, Lilypad the tablet looming over the worried toys
Handover

What Scorsese's Name Is For

Martin Scorsese has become an adviser to the German AI firm Black Forest Labs, and the film unions are furious. A note on what a famous name actually buys.

A black-and-white portrait of Martin Scorsese, seated and looking at the camera
Argument

Fjord-Sitting: Europe Can Both-Sides Too

Last Tuesday at the press conference for 'Fjord', Sebastian Stan refused to laugh at a Trump question. Four days later, his director Cristian Mungiu took home the Palme d'Or for what he calls a meditation on "left-wing fundamentalism." Notes on what Cannes chose to crown.

Sebastian Stan in 'Fjord', bald and bearded with glasses, against a Norwegian fjord landscape
Review

'Send Help' Is Sam Raimi's First Real Raimi Movie Since 'Spider-Man 2'

'Darkman' aired on German TV one night in the early nineties. I was thirteen, maybe fourteen, already keeping mental lists of directors, watching a man in bandages set things on fire with a kind of glee I didn't know movies were allowed to have. The name in the credits was Sam Raimi.

Featured image: Rachel McAdams as Linda Liddle in 'Send Help', blood-streaked and screaming, with two giant red eyes flanking the frame